Imagine one dome covering all continents, all countries, and all civilisations, shining its light on all of them equally, unique as they are. A stroll underneath the ever-changing calligraphic shades of the dome, crossing oceans from one theme to another leads the visitor to all corners of the world in a search for universality where human concerns and evolutions are central. The specificity of Louvre Abu Dhabi, a universal museum at the crossroads of civilisations is to put these civilisations in regards. Keep travelling
Standing on the bunker del Carmen overlooking the city of Barcelona bathed by the sunset light, La Sagrada Familia boldly rises above the buildings. I have always had mixed feelings passing by the grey façades of the most visited landmark of the capital of Catalonia invaded by hordes of tourists. It is only by entering this basilica that I went from a dubious passer-by to being an admirer of Gaudí’s technical genius and refined symbolism.
While Henry Clay Frick and John Pierpont Morgan were amassing their art collections with the millions they made during the industrial revolution and setting the basis for the USA, a different story was taking place in the low income areas of New York City, like the Lower East Side where newcomers to the USA flocked by hundreds and also shaped the country.
97 Orchard Street, the Lower East Side of Manhattan, 1988
The Frick collection is home to one of the finest collections of European paintings in the United States, showcased in a mansion on Central Park in a domestic interior.
Entering the private collection of Henry Clay Frick (1849-1919) is stepping into an elegant mansion highlighting the wealth and taste of the coke tycoon. Keep travelling!
I may have passed by it thousands of times in Paris, my home town. Still: every time I walk by, I have to stop to admire its stunning architecture, detailed sculptures, scary gargoyles, and beautiful glow in the evening sun. In more than 850 years, it has seen Keep reading
The Morgan library is not on every tourist trail in New York City, and is a masterpiece housing a tremendous collection mostly from the Middle-Ages and Renaissance gathered by Pierpont Morgan, a man who shaped the U.S.A.
Being born and raised in Europe, we are quite familiar with the Middle Ages and the Renaissance eras. Italy and its treasures like Florence, the medieval wonders of France, the UK or Prague, etc. are sites we have been lucky to visit. Heading to New York City, our first reflex is not to head to the repositories of the old world, but to discover its urban jungle and Keep reading
The majestic temples of Angkor are victim of their own success: with 4 million visitors a year mostly during the dry season focusing mainly on three temples, the atmosphere can be lost. Still, it is possible to experience the Angkor temple complex off the beaten path for a fantastic and authentic discovery, unravelling the splendour of the great Khmer civilisation.
I skilfully steer my mountain bike along a few pointy rocks on a narrow single track through the jungle of Cambodia. In front of me appears a desolated ruin, half swallowed by tree roots of strangler fig trees. Birds sing, butterflies flutter around reflecting the strong sun rays peeping through the dense vegetation on their brightly-coloured wings, and a cat yawns while stretching its front paws on the step of the almost-millennium old Khmer temple of Preah Khan in the temple complex of Angkor.
The chanting of the few dozen of monks, dressed in their traditional orange robes, continues. The monks pray, their voices low in the large and dark atmospheric prayer hall made of teak that is decorated with flapping orange flags. Keep travelling
A roughly 20-kilometre long bumpy dirt road leads towards surprisingly well maintained trees on the steep slopes of Laos’ most remote mountains bordering China. Wooden houses are lined up along the road, leafs are drying in the sun, people are working on their doorstep, chickens roam around and some lazy dogs nap in the sun. Keep reading
A mind blowing blend of drama, dance, modern circus techniques and real-time painting on live music tells the true story of how art could empower a generation marked by the Khmer Rouge regime and the Cambodian genocide.
Sokha, an elderly bent woman slowly walks towards me. Her legs are shaky, her pace slow. Once close, she carefully sits down, opens a thick book and cautiously blows the dust from the pages that have not been opened for a long time. Our eyes meet. Keep reading