The national museum of Cambodia houses one of world’s largest collections of Khmer art, including and not limited to the period of the Khmer Empire, which at its height stretched from Thailand to southern Vietnam. Abandoned during the Khmer Rouge regime and with most of its staff murdered, the museum reopened quickly at its fall and is paramount to promote Cambodian identity and pride.
Here is a non-exhaustive list of a few must-see and pointers that will also help you understand the history of Cambodia and decrypt its art better especially if you are planning on visiting some temples such as Angkor Wat. Keep travelling!
Oslo has developed an important cultural scene with museums celebrating Norwegian bravest explorers, world famous artists, and simple citizens. Know what to expect and prepare your trip to the Norwegian capital! Keep reading
In 2012, Edvard Munch’s 1895 pastel, “The Scream” sold for a record price of just under $120 million at Sotheby’s auction house in New York City. This was then the most expensive piece of art ever sold at an auction, sealing Munch’s reputation as one of the most influential painters. What makes Munch’s paintings so engaging? Keep travelling!
Norway is a rather small country per number of inhabitants, and some of them have led some of the craziest explorations admired from all over the world! They are celebrated in Oslo in some excellent museums where original artefacts that crossed oceans or reached the poles are exhibited. Know where to go to follow the tracks of some of world’s greatest explorers! Keep exploring!
“We were told that we didn’t qualify to live there anymore because of the colour of our skin.” – Joe Schaffers, ex-resident of District Six. Removed in 1967 at the age of 28.
“Every day to work I would pass by my house, out of which my wife, kids and me had been forcefully removed. Every day I would stop and look at it, seeing the bulldozers getting closer. Until one day our house was gone, just a vacant plot remained, on which I stood with an empty heart.” – Noor Ebrahim, ex-resident of District Six, Cape Town. Removed in 1970 at the age of 26.
“Many streets from which people were removed and houses demolished are still empty today. The goal was to divide people and break us.” – Ruth Jeftha, ex-resident of District Six.
Today Joe, Noor and Ruth are here, at the District Six museum in Cape Town, South Africa. Housed in a former church and the only original building of the District Six that is still standing, more than a museum, it is a commemoration place where former residents reaffirm their identity by sharing their life stories with visitors, celebrate their heritage, confront the complexity of history, and try to come to terms with their forced removals.
“No, painting is not made to decorate apartments. It’s an offensive and defensive weapon against the enemy” said Picasso.
And it can be such a powerful weapon that it can transcend the specific conflict to reach a universal status as a symbol of fight against barbarism. Such is the destiny of Guernica, Picasso’s most famous painting, an art and history icon showcasing strong artistic and political commitments.
I enter a world of concrete, steel and glass towering me. Elevators are going up and down like the pistons of an internal combustion engine. In a cylindrical staircase movement is created by spectators going from one level to another. Looking up, the spiral of the staircase resembles a drill bit. Following the steel pipes running along a concrete tunnel, I notice rusty handles. They used to control the opening of the silos to load the grains onto wagons. The wagons would then take them straight to the boats anchored in the nearby harbour. Of the 42 57-metre tall cement cylinders that used to compose what once was the tallest structure in Sub-Saharan Africa, eight are left, all cut out or carved. Turned into a world-class museum, this industrial landmark has kept its soul and now hosts more than a hundred galleries exhibiting contemporary art from Africa and its diaspora. Keep travelling!
Imagine one dome covering all continents, all countries, and all civilisations, shining its light on all of them equally, unique as they are. A stroll underneath the ever-changing calligraphic shades of the dome, crossing oceans from one theme to another leads the visitor to all corners of the world in a search for universality where human concerns and evolutions are central. The specificity of Louvre Abu Dhabi, a universal museum at the crossroads of civilisations is to put these civilisations in regards. Keep travelling
While Henry Clay Frick and John Pierpont Morgan were amassing their art collections with the millions they made during the industrial revolution and setting the basis for the USA, a different story was taking place in the low income areas of New York City, like the Lower East Side where newcomers to the USA flocked by hundreds and also shaped the country.
97 Orchard Street, the Lower East Side of Manhattan, 1988
The flamboyant doctor, dressed in his white laboratory coat, spins a transparent empty cylinder: “look,” he says mysteriously. Curious, we focus on the inside of the cylinder… A 3D female figure appears and starts dancing, changing colours from red to a shades of green, yellow and orange. When the rotation stops, the psychedelic dancer disappears. Puzzled, I look at Doctor Laser: “this is a 21st century flip book!” he laughs. “More than 2000 holograms are printed on the transparent film stuck on the cylinder, and rotating it is like flipping the pages. He asks us to follow him into his secret laboratory, tucked down underneath the streets of Midtown Manhattan to uncover the oldest holographic studio in the world. Keep travelling
New York City does not lack excellent museums, and it is sometimes hard to choose which ones to explore. The Museum of Modern Art is one of our favourite. Started in 1929, its constant success has been calling for more exhibition space. Since 2006, the new MoMA designed by the Japanese architect Yoshio Taniguchi, presents an inviting space to explore a panorama of Keep reading
The colourful roof of Panama’s Biomuseo designed by the world-famous architect Frank Gehry rises above the horizon of the Amador Causeway. Located along the entrance of the Panama Canal, the causeway used to be owned by the USA and was left barren after Panama regained its territory on 31 December 1999. Frank Gehry’s Panamanian wife took part in the discussions about what to do with the land, and soon crucial decisions were made to build the extravagant Biomuseo. Keep traveling