If you feel adventurous and are an experienced 2-wheel driver in cities, rent a scooter to go around. It is a great alternative to the omnipresent “tuk-tuk, tuk-tuk, tuk-tuk!” and will give you a lot of flexibility. Careful: traffic is hectic! Keep honking the horn!
The national museum of Cambodia houses one of world’s largest collections of Khmer art, including and not limited to the period of the Khmer Empire, which at its height stretched from Thailand to southern Vietnam. Abandoned during the Khmer Rouge regime and with most of its staff murdered, the museum reopened quickly at its fall and is paramount to promote Cambodian identity and pride.
Here is a non-exhaustive list of a few must-see and pointers that will also help you understand the history of Cambodia and decrypt its art better especially if you are planning on visiting some temples such as Angkor Wat. Keep travelling!
Preah Khan may very well be Cambodia’s most atmospheric temple, hidden in the thick jungle of the Preah Vihear province. Royal palace and worship place dating back to the 9th century, it recalls the Bayon and Ta Prohm temples in Angkor. If one makes the effort to reach it, one will be rewarded by majestic ruins with hardly any other visitors, far from the crowds of Siem Reap.
Famous for the amazing Angkor Wat temple complex, Cambodia has a lot more to offer: unspoiled islands, bounty beaches, lost Khmer temples, delicious underrated food, jaw dropping living art performances, traditional crafts, second to none weaving techniques, colonial cities, booming metropolis, Mekong sunsets, floating villages…
“You are going to Preah Vihear?!” All by yourselves? The temple bordering neighbouring Thailand, all the way up in the Dângrêk Mountains?? Wow!… Do you know the road?” With a grin on our faces and small backpacks ready, we nod in reply to the young friendly Cambodian lady who looks slightly concerned on the small parking lot of our hotel in Siem Reap. She takes another look at us and studies the 120cc scooter we have just rented. With a frown she adds: “Whatever you do once you arrive at its foot, do not drive your scooter up there by yourselves; it is way too steep there!! Be safe and enjoy!”
Indeed, exploring Preah Vihear is a true challenge: it is remote, not connected to any form of efficient public transport, it is hardly visited by tourists nor locals. Due to military tensions between the Cambodian and Thai armies in 2008 who both claimed its grounds, people are still cautious as whether or not to roam these splendid temple grounds. Still, Preah Vihear is settled in the most dramatic setting of all temples built by the powerful Khmers, on top of a majestic cliff dominating the plains of Northern Cambodia by more than 500 metres. All the more reasons for us to explore the ancient stairways, courtyards and sanctuaries organised along an 800-metre long axis defining the off the beaten path temple complex. Keep traveling!
The narrow straight road reminds me of one of the Dutch roads being laid out on a narrow dyke not far from where I was born. It prevents the water from flowing from one field to the next. Just the hordes of cyclists are missing. Around me, the landscape is as flat as the one I grew up in, and a smile appears on my face when I observe a familiar bird, the Common Snipe (gallinago gallinago) wading through the muddy shallows of water parallel to the road, searching for food. This bird used to be printed on the former Dutch notes of 100 Guilders, a wader I haven’t seen in a while. It is not the only one searching for food. Bare chested, tanned fishermen make their way through the murky waters, ready to throw their nets while a kingfisher strikes from the air. The road is rebuilt every year when the water of the massive Tonlé Sap Lake resides several kilometres in the dry season. It ends in a dusty parking lot bordering the stream that is connected to the lake. We are about ten thousand kilometres away from the Netherlands when the captain of a characteristic wooden boat welcomes us on board to explore his floating village, Kampong Phluk, in the heart of Cambodia. Keep traveling
Here is a compilation of the photos of the day of Cambodia and some others of our best shots capturing the essence of Cambodia to inspire you (to receive our photos of the day and articles, follow us!). All of these photos are available in a high definition upon request. For the story behind a specific photo, browse through our articles. Keep travelling/
Born and raised in Paris, I am familiar with the haute couture stores of Avenue Montaigne or Rue Saint Honoré where the highest end luxury shops in the world can be found. The finest silk pieces I have ever seen are sliding through my fingers and I feel their soft and delicate textures. The shiny fabrics reflect the light delicately. The relief of the silk gives it an unexpected depth. However, I am not in the upscale heart of Paris, I am in rural Cambodia a stone’s throw from the temples of Angkor where this rare Khmer silk was made just for the king: “It took more than 10 years of research, and trial and error to revive the century-old forgotten techniques of silk weaving of the Khmers!” says Sophea Peach, the founder of Golden Silk, and it all started with the devata‘s sculpture of Angkor… Let me show you…” Keep travelling
The majestic temples of Angkor are victim of their own success: with 4 million visitors a year mostly during the dry season focusing mainly on three temples, the atmosphere can be lost. Still, it is possible to experience the Angkor temple complex off the beaten path for a fantastic and authentic discovery, unravelling the splendour of the great Khmer civilisation.
I skilfully steer my mountain bike along a few pointy rocks on a narrow single track through the jungle of Cambodia. In front of me appears a desolated ruin, half swallowed by tree roots of strangler fig trees. Birds sing, butterflies flutter around reflecting the strong sun rays peeping through the dense vegetation on their brightly-coloured wings, and a cat yawns while stretching its front paws on the step of the almost-millennium old Khmer temple of Preah Khan in the temple complex of Angkor.
A mind blowing blend of drama, dance, modern circus techniques and real-time painting on live music tells the true story of how art could empower a generation marked by the Khmer Rouge regime and the Cambodian genocide.
Sokha, an elderly bent woman slowly walks towards me. Her legs are shaky, her pace slow. Once close, she carefully sits down, opens a thick book and cautiously blows the dust from the pages that have not been opened for a long time. Our eyes meet. Keep reading